Statuetta di Amitabha – il Buddha più antico tra i Dhyani Buddha

Statuetta di Amitabha – il Buddha più antico tra i Dhyani Buddha

105,00 

Statuetta in rame di Amitabha, il Buddha più antico tra i Dhyani Buddha.

Di colore rossocome nella tradizione tibetana e mongola – che gli deriva dalla Sillaba Hrih, è spesso rappresentato nella posizione del diamante.

Suo veicolo è il pavone, ed il loto il suo simbolo, le sue mani sono del Dhyanimudra. Se rappresentato sugli stupa, la sua direzione è l’ovest.
Buddha molto venerato, a lui si rivolgono tutti coloro che vogliono raggiungere la salvezza.
Il suo nome significa ‘Luce senza limiti’

Qty:

Informazioni aggiuntive

Peso 238 g
Altezza10 cm
Larghezza6 cm
Profondità4.5 cm
Paese d'origine

Materiali

Color

Descrizione

Copper Statue of Amitabha, the Buddha oldest among the Dhyani Buddha.
He said to reside in the Sukhabati heaven in peaceful medition. He is of red colour originating from the red syllable HRIH. He represents cosmic element of Sanjna (name) and his vehicle is peacock. He exhibits Samadhi Mudra with his two palms folded face up one on top of the other lying on his lap. He has a lotus as his sign. When represented on the stupa, he always faces the west. He is worshipped thinking that one can have salvation. Sometimes holding a Patra on the same posture, his female in Pandara.
Amitabha denotes ‘Boundless light’ or Incomprehensible.

Copper Statue of Amitabha, the Buddha oldest among the Dhyani Buddha.
He said to reside in the Sukhabati heaven in peaceful medition. He is of red colour originating from the red syllable HRIH. He represents cosmic element of Sanjna (name), and his vehicle is peacock. He exhibits Samadhi Mudra with his two palms folded face up one on top of the other lying on his lap. He has a lotus as his sign. When represented on the stupa, he always faces the west. He is worshipped thinking that one can have salvation. Sometimes holding a Patra on the same posture, his female in Pandara.
Amitabha denotes ‘Boundless light’ or Incomprehensible.

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